Amore E Rabbia (1969) ❲Full Version❳

The film was entered into the 19th Berlin International Film Festival.

It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard).

Directed by Marco Bellocchio , this segment features a classroom debate that descends into chaos, mocking the rigid structures of both authority and radical student movements. Amore e rabbia (1969)

Directed by Bernardo Bertolucci , this surrealist piece depicts the dying moments of an old man surrounded by figures who represent different facets of his life and society, blending dreamlike imagery with existential dread.

Each segment questions whether a single person can maintain their humanity or "love" while the "anger" of the collective world rages around them. The film was entered into the 19th Berlin

The film was produced in the wake of the 1968 student protests, reflecting the era's obsession with Maoism, Marxism, and anti-imperialism.

The film rejects traditional narrative, favoring long takes, jump cuts, and allegorical storytelling. Legacy and Context 🎞️ Directed by Bernardo Bertolucci , this surrealist piece

Amore e rabbia (1969), translated as Love and Anger, is a landmark anthology film that captures the turbulent political and artistic spirit of the late 1960s. It features five segments directed by some of the most influential figures in European cinema, originally conceived as a commentary on the "Gospel" but evolved into a critique of contemporary morality, violence, and revolution. The Directors and Segments